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Film School Confidential

Film School Confidential

Film School Confidential

作    者
Edgar, Tom; Kelly, Karin;  
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所属分类
Performing Arts > Film & Video
Performing Arts > Film & Video > General
Reference > Personal & Practical Guides
出版社
Penguin Group USA
ISBN-13
9780399533198
ISBN-10
0399533192
出版日期
2007-04
页数
272
单位
尺寸
19.68 * 2.54 * 13.34
装帧
Paperback
版本

Product Description

Now completely revised-all there is to know on getting into the right schools and making the experience count.

This completely revised edition of Film School Confidential continues to offer the inside scoop on every major film school program in the country. A must-have guide for students who are considering applying to film school, this book provides more than 20 profiles of the best film school programs across the country. Covering such key areas as curriculum, student body, reputation, and employment options for film school grads, the authors provide solid, objective information on each program as well as snippets from interviews with students and faculty members.

About the Author

Tom Edgar lives in Los Angeles where he writes, makes films, and builds websites. Karin Kelly lives in Philadephia with her husband and son. She writes and makes movies and teaches film students at Drexel University how to do the same. Both authors are graduates of the NYU Tisch School of the Arts/Maurice Kanbar Institute of Film and Television.

Amazon.com Review

Thinking about going to film school? Don't send in that application just yet--first read this book, the definitive guide to film schools around the country. The 26 institutions reviewed are rated according to the quality and accessibility of their equipment, the kind of films their faculty encourage students to make ("industry," "independent," "experimental"), and cost. The authors discuss the schools' programs in detail, advise readers about whether film school is the right choice for them, provide tips about getting into the programs, and describe what to expect once film school begins. Karin Kelly and Tom Edgar's prose is spirited and their entertaining introductory portrait of the state of American filmmaking will interest anyone who cares about contemporary movies. An informative and amusing glossary closes the volume, which explains why no one should try to lift an ARRI kit by the handle, why "experimental film" is just another word for "cinematic masturbation," and why no good movie script ever contained the line, "you just don't get it, do you?" --This text refers to an out of print or unavailable edition of this title.