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Persepolis: The Story of a Childhood

Persepolis: The Story of a Childhood

Persepolis: The Story of a Childhood

作    者
Satrapi, Marjane; Marjane Satrapi;  
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所属分类
Biography & Autobiography > Women
Comics & Graphic Novels > Literary
出版社
Pantheon
ISBN-13
9780375714573
ISBN-10
037571457X
出版日期
2004-06
页数
153
单位
尺寸
1.3 * 22.4 * 15.0
装帧
Paperback
版本
Reprint

Product Description

A New York Times Notable Book
A Time Magazine “Best Comix of the Year”
A San Francisco Chronicle and Los Angeles Times Best-seller

Wise, funny, and heartbreaking, Persepolis is Marjane Satrapi’s memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.

Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane’s child’s-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.

About the Author

Marjane Satrapi was born in 1969 in Rasht, Iran. She grew up in Tehran, where she studied at the Lycée Français before leaving for Vienna and then going to Strasbourg to study illustration. She has written several children’s books, and her illustrations appear in newspapers and magazines throughout the world, including The New Yorker and the New York Times. She currently lives in Paris.

Review

“Delectable. . . Dances with drama and insouciant wit.” –The New York Times Book Review

“A dazzlingly singular achievement. . . . Striking a perfect balance between the fantasies and neighborhood conspiracies of childhood and the mounting lunacy of Khomeini's reign, she's like the Persian love child of Spiegelman and Lynda Barry.” –Salon

“A brilliant and unusual graphic memoir. . . . [Told] in a guileless voice . . . accompanied by a series of black-and-white drawings that dramatically illustrate how a repressive regime deforms ordinary lives.”–Vogue

"Odds are, you’ll be too busy being entertained to realize how much you’ve learned until you turn the last page.”–Elle.com

“[A] self-portrait of the artist as a young girl, rendered in graceful black-and-white comics that apply a childlike sensibility to the bleak lowlights of recent Iranian history. . . . [Her] style is powerful; it persuasively communicates confusion and horror through the eyes of a precocious preteen.” –Village Voice

" This is an excellent comic book, that deserves a place with Joe Sacco and even Art Spiegelman. In her bold black and white panels, Satrapi eloquently reasserts the moral bankruptcy of all political dogma and religious conformity; how it bullies, how it murders, and how it may always be ridiculed by individual rebellions of the spirit and the intellect." --Zadie Smith, author of The Autograph Man and White Teeth 

"
You've never seen anything like Persepolis—the intimacy of a memoir, the irresistability of a comic book, and the political depth of a the conflict between fundamentalism and democracy. Marjane Satrapi may have given us a new genre."
--Gloria Steinem

I grew up reading the Mexican comics of Gabriel Vargas, graduated to the political teachings of Rius, fell under the spell of Linda Barry, Art Spiegelman, and now I am a fan of Marjane Satrapi. Her stories thrummed in my heart for days. Persepolis is part history book, part Scheherazade, astonishing as only true stories can be. I learned much about the history of Iran, but more importantly, it gave me hope for humanity in these unkind times.
—Sandra Cisneros, author of The House on Mango Street and Caramelo

I thought [Persepolis] was a superb piece of work, not only for the child's eye view—the developing child's eye view—of a society unknown to many of us in the west, and feared and suspected in proportion to being unknown.... Satrap has found a way of depicting human beings that is both simple and immediately comprehensible, AND is almost infinitely flexible. Anyone who's tried to draw a simplified version of a human face knows how immensely difficult it is not only to give the faces a range of expression, but also to maintain identities from one frame to the next. It's an enormous technical accomplishment."
--Philip Pullman, author of The Golden Compass, The Subtle Knife, and The Amber Spyglass.

"
I cannot praise enough Marjane Satrapi's moving account of growing up as a spirited young girl in revolutionary and war-time Iran. Persepolis is disarming and often humorous but ultimately it is shattering."
-- Joe Sacco, author of Palestine and Safe Area Gorazde

This witty, moving and illuminating book demonstrates graphically why the future of Iran lies with neither the clerics nor the American Empire.
--Tariq Ali Author of The Clash of Fundamentalisms: Crusades, Jihads and Modernity

"I found the work immensely moving with depths of nuance and wisdom that one might never expect to find in a comic book. It’s a powerful, mysterious, enchanting story that manages to reflect a great swath of Iranian contemporary history within the sensitive, intimate tale of a young girl’s coming-of-age. I didn’t want it to end!"
—Diana Abu-Jaber, Author of Crescent and Arabian Jazz

"A rare and chilling memoir that offers every reader a personal, honest portrait of Iran's recent political and cultural history. Ms. Satrapi's provocative, graphic narrative of life in Iran before and after the Islamic revolution is an extraordinary testament to the level of human suffering experienced by Iranians tossed from one political hypocrisy to another. Aside from the humanistic dimension, the beautifully minimalist Persepolis gives further evidence of Marjane Satrapi's sensitivity and superb skill as an artist."
--Shirin Neshat, visual artist/filmmaker

"Readers who have always wanted to look beyond political headlines and CNN's cliches should plunge into this unique illustrated story. Let Marji be your trusted companion, follow her into the warmth of a Persian home and out along Tehran's turbulent streets during those heady days of revolution. Persepolis opens a rare door to understanding of events that still haunt America, while shining a bright light on the personal humanity and humor so much alive in Iranian families today."
-- Terence Ward, author of Searching for Hassan

Blending the historical with the personal is not an easy task, to blend the individual with the universal is even more challenging. But Marjane Satrapi has succeeded brilliantly. This graphic novel is a reminder of the human spirit that fights oppression and death, it is a witness to something true and lasting which is more affective than hundreds of news broadcasts.
--Hanan al-Shaykh, author of Women of Sand and Myrhh



From the Hardcover edition.

From the Inside Flap

Originally published to wide critical acclaim in France, where it elicited comparisons to Art Spiegelman's Maus, Persepolis is Marjane Satrapi's wise, funny, and heartbreaking memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.

Persepolis paints an unforgettable portrait of daily life in Iran: of the bewildering contradictions between home life and public life and of the enormous toll repressive regimes exact on the individual spirit. Marjane?s child's-eye-view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a stunning reminder of the human cost of war and political repression. It shows how we carry on, through laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.


From the Hardcover edition.

From School Library Journal

Adult/High School-Marji tells of her life in Iran from the age of 10, when the Islamic revolution of 1979 reintroduced a religious state, through the age of 14 when the Iran-Iraq war forced her parents to send her to Europe for safety. This story, told in graphic format with simple, but expressive, black-and-white illustrations, combines the normal rebelliousness of an intelligent adolescent with the horrors of war and totalitarianism. Marji's parents, especially her freethinking mother, modeled a strong belief in freedom and equality, while her French education gave her a strong faith in God. Her Marxist-inclined family initially favored the overthrow of the Shah, but soon realized that the new regime was more restrictive and unfair than the last. The girl's independence, which made her parents both proud and fearful, caused them to send her to Austria. With bold lines and deceptively uncomplicated scenes, Satrapi conveys her story. From it, teens will learn much of the history of this important area and will identify with young Marji and her friends. This is a graphic novel of immense power and importance for Westerners of all ages. It will speak to the same audience as Art Spiegelman's Maus (Pantheon, 1993).
Susan H. Woodcock, Fairfax County Public Library, Chantilly, VA
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From the Back Cover

“Delectable. . . Dances with drama and insouciant wit.” –The New York Times Book Review

“A dazzlingly singular achievement. . . . Striking a perfect balance between the fantasies and neighborhood conspiracies of childhood and the mounting lunacy of Khomeini's reign, she's like the Persian love child of Spiegelman and Lynda Barry.” –Salon

“A brilliant and unusual graphic memoir. . . . [Told] in a guileless voice . . . accompanied by a series of black-and-white drawings that dramatically illustrate how a repressive regime deforms ordinary lives.”–Vogue

"Odds are, you’ll be too busy being entertained to realize how much you’ve learned until you turn the last page.”–Elle.com

“[A] self-portrait of the artist as a young girl, rendered in graceful black-and-white comics that apply a childlike sensibility to the bleak lowlights of recent Iranian history. . . . [Her] style is powerful; it persuasively communicates confusion and horror through the eyes of a precocious preteen.” –Village Voice

" This is an excellent comic book, that deserves a place with Joe Sacco and even Art Spiegelman. In her bold black and white panels, Satrapi eloquently reasserts the moral bankruptcy of all political dogma and religious conformity; how it bullies, how it murders, and how it may always be ridiculed by individual rebellions of the spirit and the intellect." --Zadie Smith, author of The Autograph Man and White Teeth 

"
You've never seen anything like Persepolis—the intimacy of a memoir, the irresistability of a comic book, and the political depth of a the conflict between fundamentalism and democracy. Marjane Satrapi may have given us a new genre."
--Gloria Steinem

I grew up reading the Mexican comics of Gabriel Vargas, graduated to the political teachings of Rius, fell under the spell of Linda Barry, Art Spiegelman, and now I am a fan of Marjane Satrapi. Her stories thrummed in my heart for days. Persepolis is part history book, part Scheherazade, astonishing as only true stories can be. I learned much about the history of Iran, but more importantly, it gave me hope for humanity in these unkind times.
—Sandra Cisneros, author of The House on Mango Street and Caramelo

I thought [Persepolis] was a superb piece of work, not only for the child's eye view—the developing child's eye view—of a society unknown to many of us in the west, and feared and suspected in proportion to being unknown.... Satrap has found a way of depicting human beings that is both simple and immediately comprehensible, AND is almost infinitely flexible. Anyone who's tried to draw a simplified version of a human face knows how immensely difficult it is not only to give the faces a range of expression, but also to maintain identities from one frame to the next. It's an enormous technical accomplishment."
--Philip Pullman, author of The Golden Compass, The Subtle Knife, and The Amber Spyglass.

"
I cannot praise enough Marjane Satrapi's moving account of growing up as a spirited young girl in revolutionary and war-time Iran. Persepolis is disarming and often humorous but ultimately it is shattering."
-- Joe Sacco, author of Palestine and Safe Area Gorazde

This witty, moving and illuminating book demonstrates graphically why the future of Iran lies with neither the clerics nor the American Empire.
--Tariq Ali Author of The Clash of Fundamentalisms: Crusades, Jihads and Modernity

"I found the work immensely moving with depths of nuance and wisdom that one might never expect to find in a comic book. It’s a powerful, mysterious, enchanting story that manages to reflect a great swath of Iranian contemporary history within the sensitive, intimate tale of a young girl’s coming-of-age. I didn’t want it to end!"
—Diana Abu-Jaber, Author of Crescent and Arabian Jazz

"A rare and chilling memoir that offers every reader a personal, honest portrait of Iran's recent political and cultural history. Ms. Satrapi's provocative, graphic narrative of life in Iran before and after the Islamic revolution is an extraordinary testament to the level of human suffering experienced by Iranians tossed from one political hypocrisy to another. Aside from the humanistic dimension, the beautifully minimalist Persepolis gives further evidence of Marjane Satrapi's sensitivity and superb skill as an artist."
--Shirin Neshat, visual artist/filmmaker

"Readers who have always wanted to look beyond political headlines and CNN's cliches should plunge into this unique illustrated story. Let Marji be your trusted companion, follow her into the warmth of a Persian home and out along Tehran's turbulent streets during those heady days of revolution. Persepolis opens a rare door to understanding of events that still haunt America, while shining a bright light on the personal humanity and humor so much alive in Iranian families today."
-- Terence Ward, author of Searching for Hassan

Blending the historical with the personal is not an easy task, to blend the individual with the universal is even more challenging. But Marjane Satrapi has succeeded brilliantly. This graphic novel is a reminder of the human spirit that fights oppression and death, it is a witness to something true and lasting which is more affective than hundreds of news broadcasts.
--Hanan al-Shaykh, author of Women of Sand and Myrhh
--This text refers to the Hardcover edition.

Language Notes

Text: English (translation)
Original Language: French --This text refers to the Hardcover edition.

From Publishers Weekly

Satrapi's autobiography is a timely and timeless story of a young girl's life under the Islamic Revolution. Descended from the last Emperor of Iran, Satrapi is nine when fundamentalist rebels overthrow the Shah. While Satrapi's radical parents and their community initially welcome the ouster, they soon learn a new brand of totalitarianism is taking over. Satrapi's art is minimal and stark yet often charming and humorous as it depicts the madness around her. She idolizes those who were imprisoned by the Shah, fascinated by their tales of torture, and bonds with her Uncle Anoosh, only to see the new regime imprison and eventually kill him. Thanks to the Iran-Iraq war, neighbors' homes are bombed, playmates are killed and parties are forbidden. Satrapi's parents, who once lived in luxury despite their politics, struggle to educate their daughter. Her father briefly considers fleeing to America, only to realize the price would be too great. "I can become a taxi driver and you a cleaning lady?" he asks his wife. Iron Maiden, Nikes and Michael Jackson become precious symbols of freedom, and eventually Satrapi's rebellious streak puts her in danger, as even educated women are threatened with beatings for improper attire. Despite the grimness, Satrapi never lapses into sensationalism or sentimentality. Skillfully presenting a child's view of war and her own shifting ideals, she also shows quotidian life in Tehran and her family's pride and love for their country despite the tumultuous times. Powerfully understated, this work joins other memoirs-Spiegelman's Maus and Sacco's Safe Area Goradze-that use comics to make the unthinkable familiar.
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Booklist

Satrapi's great-grandfather was Iran's last emperor, the one overthrown by the father of the shah overthrown in the 1979 Islamic revolution. Doubtless their pedigree of former greatness somewhat shielded her leftist family from the Ayatollah Khomeini's authoritarian regime, and her extraordinary autobiography in comics, which reflects her perspective from ages 10 to 14, probably understates the violence that swirled around her, cresting in the outbreak of the Iran-Iraq war. At first, the revolution freed an uncle who idolized her and some of her parents' friends from prison, but soon the tide turned, and the former prisoners had to flee (at least one was killed before he could). Her father and uncle explained modern Iran's past to her, all but dispelling her childish religiosity, and she joined her parents at political demonstrations. When an Iraqi missile destroyed Jewish neighbors, however, her parents determined to use their upper-middle-class means to get out. Satrapi's cursive, geometrical drawing style, reminiscent of the great children's author-artist Wanda Gag's, eloquently conveys her ingenuousness and fervor as a child. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.